Historic royalty income is no indication of future royalty income. Future royalty income is dependent upon future sales and licensing revenue generated by the sound recordings or compositions associated with this listing.
Internet Streaming, AM/FM & Satellite Radio, Digital Downloads, TV/Film/Commercial Performances, etc.
Internet Streaming, Satellite Radio, Digital Downloads, CD Sales, TV/Film/Commercial Placements & Performances, Samples, etc.
Place a bid on this global pop offering featuring earnings from various international pop acts. This asset boasts income from upwards of 55 different countries, with 90% of royalties to date coming directly from Japan and Sweden.
The highest-earning income source is streaming, with 32% of last year’s earnings. Streaming royalties also showed the best overall year-over-year stability among income sources. Spotify is the largest contributing platform with over 90% streaming revenue. And while digital download activity is in decline throughout the industry, downloads accounted for 31% of revenue last year.
The title “Fick Feeling” from Swedish pop group Samir & Viktor is this catalog’s highest-earning song. Released in 2016, “Fick Feeling” peaked at No. 11 on the Swedish singles chart and accounted for 42% of last year’s royalties.The song “Beautiful Hangover” is the second leading contributor with 32% of income in the last 12 months. The 2010 single is from South Korean hip-hop band Big Bang.
Also included is “Gentleman” from South Korean boy band Shinee, along with two singles — “Vive La Vida” and “Soy Como Soy” — from Romanian pop star Nicole Cherry.
Streaming Growth Worldwide. According to IFPI’S Global Music Report 2019, streaming revenues were up 34% in 2018, accounting for nearly half (47%) of total recorded music revenues. By the end of 2018, there were 255 million users of paid subscription accounts globally. This is good news for you as the investor, as 32% of last year's income (both public performance and streaming mechanical royalties) came from streaming.
Dollar Age This catalog has a Dollar Age of 5 years. This means the majority of royalties earned in the last 12 months came from songs that have collected royalties for five years. A higher Dollar Age like this suggests stability and can help sustain the asset’s earnings moving forward.
NOTE ABOUT DISTRIBUTION FREQUENCY
STIM pays on a quarterly basis, with four regular payments each calendar year. In addition to these quarterly payments, STIM also distributes "out of cycle" payments for digital music services. These dates are estimated (not fixed) and can vary throughout the year. The winner of this auction will receive all future distributions for the included works in this offering paid by STIM. Read more about on STIM's payment schedule here.
About the Royalty Distributor
STIM is a Swedish collective management organization for music creators and publishers. On their behalf, STIM administers and licenses performing and mechanical rights to music and lyrics. STIM was founded in 1923 and is headquartered in Stockholm. STIM is a non-profit organization representing 85,000 songwriters, composers, text authors and music publishers worldwide.
Public performance royalties are payments made by radio stations, hotels, restaurants, night clubs, etc. to the composition copyright holder(s) for each public performance of the copyrighted work. In the U.S., public performance royalties are typically paid to performing rights organizations (e.g., ASCAP, BMI) who then distribute the royalties to the copyright holder(s).
Mechanical royalties are royalties deriving from per-unit payments made by recording companies or digital download providers to the composition copyright holder(s) for every purchase of a sound recording that reproduces the copyrighted composition.
Non-interactive digital performance royalties are payments made by non-interactive music services (i.e. those that mimic the experience of a radio broadcast) of a statutorily-set amount (on either a per-play or annual basis—depending on the type of service) to SoundExchange for the benefit of the sound recording copyright holder and the performing artists for the right to perform the copyrighted sound recording via non-interactive, digital means.
non-interactive digital performance royalties
The royalties owed to the creator(s) of a musical composition which are paid in return for the right to reproduce, distribute, or perform the copyrighted work.
A musical composition is one of the two copyrightable parts of a recorded song. It consists of the song's music, including any accompanying words, (i.e. the portion of a song that is capable of being fully expressed as sheet music) and is separate from any particular recording of the song or its performance by any particular artist.
A sound recording is one of the two copyrightable portions of a recorded song. It results from the fixation of a series of musical, spoken, or other sounds in a tangible (at least momentarily permanent) medium.
The portion of royalties owed to the owner of a sound recording. The owner may the performing artist, the producer, or another party (such as a record label) who contractually acquired the ownership of the copyrighted work (e.g., through a recording agreement), owns it by virtue of an employer-employee relationship with the creator(s) of the work, or specially commissioned the work.
rights owner's share
The portion of royalties owed to the performers of a sound recording in return for the right to perform the copyrighted work via non-interactive, digital services (e.g., Pandora, Spotify).
The portion of royalties owed to the music publisher which are paid in return for the right to reproduce, distribute, or perform a copyrighted musical composition, arising from a contractual obligation (i.e. a publishing agreement) or employer-employee relationship with the creator of composition (i.e. the songwriter(s)).
If an asset requires splitting up a catalog by works or percentages, Royalty Exchange may need to provide royalty accounting services to the buyer, seller, or both. This is because the royalty distributor may not be able to split royalties as intended by the asset transfer. Royalty Exchange's involvement helps to ensure accurate royalty payments. It also helps assure buyers and sellers that they are not missing out on potential earnings.
The accounting process often involves manual spreadsheet work and coordinating with royalty distributors. Royalty Exchange's goal is for the accounting service to be temporary. We plan to work with distributors to find solutions that will allow us to revert accounting and payment obligations back to the distributor, removing ourselves from the process. In the meantime, we've instituted the 5% fee to help offset costs in the manual accounting.
Please see the sample accounting agreement document for reference.
Why does Royalty Exchange need to account?
This action is restricted to Royalty Exchange users. Please, sign in or create a free account to continue.