Historic royalty income is no indication of future royalty income. Future royalty income is dependent upon future sales and licensing revenue generated by the sound recordings or compositions associated with this listing.
Apr 05, 2017, 3:01 PM MDT
Life of author + 70 years
Last 12 Months' Royalties:
$500 BMI Payee Account Fee*
*BMI charges a one-time fee of $500 to open a new payee account, which will be debited from the payee's first royalty distribution. Once opened, multiple royalty streams can be routed to the buyer's payee account. If you already have a BMI payee account, there is no fee.
Collect royalties from songs released over the last two years by hot hip-hop artists TK-N-Cash and Kevin Gates. This catalog has generated four consecutive quarters of royalty payments so far. The songs have collected $11,621 in that time, with the majority of earnings coming from radio performance royalties.
The hit song “3 Times In A Row” makes up 92% of earnings, performed by the hip-hop duo TK-N-Cash. Released in 2015, the song earned notable royalties during the first quarter of 2016 as a result of its strong domestic radio performance. While radio royalties tend to level off after the initial spike following release, digital earnings can provide a nice offset over time. “3 Times In A Row” has a solid Spotify presence with over 17 million listens, as well as growing YouTube views. Since this is auction is for public performance royalties, both of these sources contribute to your royalty stream.
The catalog also includes Kevin Gates' “Great Example” from his 15th mixtape Murder For Hire 2. The album debuted at #12 on the Billboard 200 when released in May of 2016. Kevin Gates shot onto the mainstream music scene last year with the release of his Platinum-certified studio album Islah, which reached No. 2 on the Billboard 200. Gates' new found popularity will continue to grow with his summer 2017 tour. Tours give artists a chance to expose new listeners to their music and increase their fan base.
Radio is frequently a launching point for a song. Songs that get radio play often build a foundation of streaming and other types of income as the radio winds down. If you want to check out a similar asset, take a look at this past listing.
What is being sold?
100% of the seller's interest in the songwriter's share of public performance royalties attributable to select musical works in the seller's BMI catalog. See the “Financials” tab for a full track list.
How does this asset make money?
Every time “3 Times In A Row” or any song in this catalog, is played on the radio, Pandora, Spotify or any other type of public performance, you earn royalties. BMI makes payments quarterly and the first distribution you will receive is June 2017.
What rights are included?
Internet Streaming, AM/FM & Satellite Radio, TV/Film/Commercial Performances, etc.
Internet Streaming, Satellite Radio, Digital Downloads, CD Sales, TV/Film/Commercial Placements & Performances, Samples, etc.
About the Royalty Distributor
BMI represents more than 10.5 million musical works created and owned by more than 700,000 songwriters, composers and music publishers. BMI supports businesses and organizations that play music publicly by offering blanket music licenses that permit them to play more than 10.5 million musical works.
Public performance royalties are payments made by radio stations, hotels, restaurants, night clubs, etc. to the composition copyright holder(s) for each public performance of the copyrighted work. In the U.S., public performance royalties are typically paid to performing rights organizations (e.g., ASCAP, BMI) who then distribute the royalties to the copyright holder(s).
Mechanical royalties are royalties deriving from per-unit payments made by recording companies or digital download providers to the composition copyright holder(s) for every purchase of a sound recording that reproduces the copyrighted composition.
Non-interactive digital performance royalties are payments made by non-interactive music services (i.e. those that mimic the experience of a radio broadcast) of a statutorily-set amount (on either a per-play or annual basis—depending on the type of service) to SoundExchange for the benefit of the sound recording copyright holder and the performing artists for the right to perform the copyrighted sound recording via non-interactive, digital means.
non-interactive digital performance royalties
The royalties owed to the creator(s) of a musical composition which are paid in return for the right to reproduce, distribute, or perform the copyrighted work.
A musical composition is one of the two copyrightable parts of a recorded song. It consists of the song's music, including any accompanying words, (i.e. the portion of a song that is capable of being fully expressed as sheet music) and is separate from any particular recording of the song or its performance by any particular artist.
A sound recording is one of the two copyrightable portions of a recorded song. It results from the fixation of a series of musical, spoken, or other sounds in a tangible (at least momentarily permanent) medium.
The portion of royalties owed to the owner of a sound recording. The owner may the performing artist, the producer, or another party (such as a record label) who contractually acquired the ownership of the copyrighted work (e.g., through a recording agreement), owns it by virtue of an employer-employee relationship with the creator(s) of the work, or specially commissioned the work.
rights owner's share
The portion of royalties owed to the performers of a sound recording in return for the right to perform the copyrighted work via non-interactive, digital services (e.g., Pandora, Spotify).
The portion of royalties owed to the music publisher which are paid in return for the right to reproduce, distribute, or perform a copyrighted musical composition, arising from a contractual obligation (i.e. a publishing agreement) or employer-employee relationship with the creator of composition (i.e. the songwriter(s)).
If an asset requires splitting up a catalog by works or percentages, Royalty Exchange may need to provide royalty accounting services to the buyer, seller, or both. This is because the royalty distributor may not be able to split royalties as intended by the asset transfer. Royalty Exchange's involvement helps to ensure accurate royalty payments. It also helps assure buyers and sellers that they are not missing out on potential earnings.
The accounting process often involves manual spreadsheet work and coordinating with royalty distributors. Royalty Exchange's goal is for the accounting service to be temporary. We plan to work with distributors to find solutions that will allow us to revert accounting and payment obligations back to the distributor, removing ourselves from the process. In the meantime, we've instituted the 5% fee to help offset costs in the manual accounting.
Please see the sample accounting agreement document for reference.
Why does Royalty Exchange need to account?
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